Bigshots, by Tony Bevan, Paul Rogers, Steve Noble

Bigshots

by Tony Bevan, Paul Rogers, Steve Noble

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1.	Episode #3 08:36	buy track
2.	Ace in the Hole 02:56	buy track
3.	Red 5 Shimey 05:30	buy track
4.	Ghosting 02:21	buy track
5.	Bigshots 09:42	buy track
6.	Lumpy 03:59	buy track
7.	Roaring 01:35	buy track
8.	Just The Way It Is 05:15	buy track
9.	4 A.M. Farewell 01:50	buy track
10.	The Last Shot 21:12	buy track

about

Tony Bevan / saxophones
Paul Rogers / double bass
Steve Noble / percussion

After making his debut record for Incus Original Gravity, Bevan returned to the label with a new trio, joined by Steve Noble on percussion (Ya Boo, False Face) and Paul Rogers on bass. Quick intuition, a broad dynamic spectrum, and dazzling tonal colors. On a canvas of metallic percussion by Steve Noble, Bevan manipulates his striated tone like a painter adjusting brush strokes- some sounds are long, wide, and spacious, others squat and impossibly dense. This is at the relatively louder end on Bevan's work on Incus - especially when compared to Bevan / Bailey collabs like Limescale and Good Cop, Bad Cop.

credits

released October 1, 1991

Recorded on 25th July 1991 at Holywell Music Room by Michael Gerzon. Produced by Steve Noble & Tony Bevan. Designed by Steve Noble. Photography By Thomi Wroblewski. Post Production by John Hadden

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about

Tony Bevan Glasgow, UK

British saxophonist (bass, tenor and soprano saxophone) of free jazz and European improvisational music.

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